Luigi Nono
|
|
La lontananza nostalgica utopica futura |
|
|
|
|
|
|
|
|
|
Order Reference: |
EWR 0102 |
|
|
|
Medium: |
CD |
|
|
|
Composer: |
Luigi Nono |
|
|
|
Performers: |
Clemens Merkel, Violin / Wolfgang Heiniger, sound
engineer |
|
|
|
|
|
|
|
|
|
|
|
|
|
"La lontananza nostalgica utopica futura. Madrigale per più caminantes con
Gidon Kremer" for violin and eight track tape (1988/89), first performed in Berlin,
September 3, 1988, by Gidon Kremer, belongs to Nono‘s last, extended
compositions. |
||
|
|
Dominated by sustained sounds, highly differentiated and mostly very
soft; disturbed by flickering harmonics or occasional eruptive outbursts;
interspersed with silence; the score of "La lontananza nostalgica
utopica futura" has the characteristic sonic appearance of Nono‘s
later compositions, starting from the string quartet "Fragmente -
Stille, An Diotima" (1979/80). |
||
|
|
The eight tape tracks consist of numerous sound fragments recorded
during several days work in the studio with Gidon Kremer (and then partially
electronically processed). On the one hand (for example, in the scraps of
conversation) they document the phase of experimental studio work, focussing
directly on the working process. On the other hand they allude to historical
elements, by way of musical quotations or a quotation-like use of typical
violin techniques. |
||
|
|
The tape constitutes a polyphonic sound texture into which the
violinist must fit, interpreting the six sections of the score which are to
be performed live. Nono stresses that this is not a concerto for a soloist
with accompaniment, but rather a combination of voices with equal rights, as
is suggested by the subtitle of the composition ("for several
‚wanderers‘ with Gidon Kremer"). |
||
|
|
A continuous interaction evolves between sound direction and solo
player: the sound engineer reacts to the player¹s performance by selecting
from material found on the tape and by distributing this selection amongst
the eight speakers. |
||
|
|
The violinist for his part may interpret the rests within the six
sections, as well as the phases between the sections, in accordance with the
sounding tape material. In this way, over the course of the performance a
lively relationship between the different components of the work develops. |
||
|
|
"La lontananza nostalgica utopica futura. Madrigale per più caminantes con
Gidon Kremer" for violin and eight track tape (1988/89), first performed in Berlin,
September 3, 1988, by Gidon Kremer, belongs to Nono‘s last, extended
compositions. |
||
|
|
|
||
|
|
Stefan Drees |
||