EDITION WANDELWEISER RECORDS > CD catalogue >> hans-jürg meier  _____________________________________________________________________                                                                                                     <<   >> hans-jürg meier colours de la rose . presso il passo di cristallina . diaphanés (durchscheinend)   order reference:    medium:              composer:           performer: EWR 1902 CD  hans-jürg meier trio lepic: vera fischer (flutes), franziska müller (oboes), rico gubler (saxophones), samira el ghatta, andel strube (recorders), sarah giger, nadja camichel, sarah van cornewal (baroque flutes), martin lorenz percussion   >> nieuwenoten.nl hans-jürg meier (1964-2015) colours de la rose 2001 for flute, oboe, saxophone a work in nine parts contrasting the music by guillaume de machaut presso il passo di cristallina 1993 for 2 recorders „dem stück ging das reale erlebnis der überraschenden stille kurz vor der passhöhe des passo di cristallina voraus” (hans-jürg meier) „the piece was preceded by the real experience of surprising silence just before crossing the passo di cristallina“ (hans jürg meier) diaphanés (durchscheinend) 2015 for three baroque transverse flutes and percussion music to santo stefano in rotondo in rome, the musical sensation while entering the room and its architectonical athmosphere     in hans-jürg meiers komponieren gewinnen übersetzungen aus der architektur zunehmend an bedeutung. zum einen ist in beiden künsten die kraft der vorstellung von grundlegender wichtigkeit, zum anderen hantieren beide mit ganzheitlichen formerfindungen, die sich in der zeit oder/und im raum entfalten. im bestreben, die sinnlichen qualitäten von den materialien der musik (töne, intervalle, klangbeschaffenheiten) gleichsam greifbar erfahrbar zu machen, verpflichten sich seine kompositionen dem zusammenwirken von natur, form und schönheit. in hans-jürg meier's music, translations from architecture have become increasingly meaningful. on the one hand, in both art forms, the power of imagination is of fundamental importance. on the other, both work with holistic formal inventions that unfold in time or/and in space. endeavouring to make physically tangible the sensual qualities of the musical material (tones, intervals, texture), his composi- tions are committed to exploring the interaction of nature, form and beauty. audio excerpt: ►  colours de la rose (excerpt 10:00) ►  presso il passo di cristallina (08:08) ►  diaphanés (durchscheinend) (excerpt 10:00)   1 colours de la rose (2001) trio lepic: vera fischer (flutes), franziska müller (oboes), rico gubler (saxophones) 2 presso il passo di cristallina (1993) samira el ghatta, andel strube (recorders) 3 diaphanés (durchscheinend) (2015) sarah giger, nadja camichel, sarah van cornewal (baroque flutes), martin lorenz (percussion)