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                    audio excerpt:  
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                      kranenburg tree (part 1) (06:10)  
                    
                      ►  kranenburg tree (part 4) (06:10)  
                      
                      
                      
                       
                    florian wittenburg
                    (1973) 
                    kranenburg tree 
                     
                    kranenburg tree (part 1) 
                    1 minute silence  
                    kranenburg tree (part 2) 
                    1 minute silence 
                    kranenburg tree (part 3) 
                    1 minute silence  
                    kranenburg tree (part 4) 
                     
                    electronic music (based on tree/branch drawings in
                      metasynth) 
                     
                     
                      
                     
                     
                    kranenburg tree 
                     
                    as the title already indicates, a small tree, which i
                    discovered at the former train station of the small german
                    town kranenburg (lower rhine area), forms the basis for the
                    music on this album. 
                    to be more precise, a photograph of this tree, whose musical
                    potential i saw immediately, served as a template for
                    sketches in metasynth, a software with which you can draw,
                    paint music. 
                    this resulted in 4 sketches, consequently the composition
                    has 4 parts. 
                    what still fascinates me about this music, is how out of one
                    simple sound (branch) a fairly complex sound struc- ture
                    arises, where fundamentals and partials interfere. 
                     
                    composing the intermezzi for these metasynth main pieces was
                    a real struggle for me as a composer: nothing pleased me,
                    nothing fitted, nothing convinced me. then eventually the
                    idea came to me to try it simply with silence. this started
                    as an experiment, but then the hearing impression of this
                    music combined with silence con- vinced me more and more. i
                    made the experience, that in the beginning of the silent
                    tracks the preceding music still resonated. and then at a
                    certain point i started to notice environmental sounds, like
                    heating noise or bird- song, maybe already realizing that
                    absolute silence doesn’t exist - wasn’t it john
                    cage who discovered that a certain point, maybe in a dead
                    space, you start to hear your own breathing or nervesystem.
                    in my case this is unfortunately enhanced by my tinnitus. 
                     
                     
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