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                pilchen  
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            two songs. anne, germaine, koen, seamus, danya 
            danya
                pilchen 
                 
            
              
                
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                  EWR
                      2303 
                      CD  
                    danya pilchen 
                    anne la berge (flute), germaine sijstermans
                      (clarinet), seamus cater (harmonica), koen nutters (double
                      bass), danya pilchen (piano)  | 
                 
                
                    
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                    danya pilchen 
                    two songs. anne, germaine, koen, seamus, danya 
                       
                     
                    01          
                    song 1 
                    02          
song
                    2 
                     
                     
                    anne la berge (flute), germaine sijstermans
                        (clarinet), seamus cater (harmonica), koen nutters
                        (double bass), danya pilchen (piano) 
                     
                     
                    audio excerpt:  
                     
                    ► 
                      song 1  (22:26)   
                     
                      
                      
                     
                       
                       
                    two songs. anne, germaine, seamus, koen, danya is part of a
                    series of pieces under the name of songs i have been working
                    on for the past few years. in the series, i explore the
                    possibilities of making and experiencing time through
                    attentive listening and the interaction of musicians 
                     
                    in this piece, i focused on creating a dialogue between two
                    measures of time, both built around the materiality of
                    making a sound. in the first song, the temporal organisation
                    grows out of the durations of decaying sounds of the piano
                    and double bass. in the second, the wind players’
                    breathing becomes the larger-scale measure of time, coming
                    into a dialogue with the decaying sounds 
                     
                    we learned to share one breath between the ensemble and use
                    the resonance of our instruments to amplify each
                    other’s sounds. listening to the room’s
                    resonance also played a role in the piece’s unfolding.
                    i composed this piece in close collaboration with the
                    participating musicians: anne, germaine, seamus, and koen.
                    their art- istry and personalities shaped the way the piece
                    sounds 
                     
                     
                     
                    acknowledgements 
                    i want to thank the musicians who participated in this
                    project, anne la berge and splendor amsterdam for mak- ing
                    both the premiere and this recording possible, hidde kramer
                    for the invaluable help with the recording pro- cess, and
                    antoine beuger and edition wandelweiser records for making
                    this release a reality 
                     
                    special thanks to all the early donors who pre-ordered this
                    cd. it is with your help that this album can see the light
                    of day 
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