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hans-jürg meier
colours de la rose . presso il passo di cristallina . diaphanés (durchscheinend)
 
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EWR 1902
CD 
hans-jürg meier
trio lepic: vera fischer (flutes), franziska müller (oboes), rico gubler (saxophones), samira el ghatta, andel strube (recorders), sarah giger, nadja camichel, sarah van cornewal (baroque flutes), martin lorenz percussion
 

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hans-jürg meier (1964-2015)


colours de la rose
2001
for flute, oboe, saxophone
a work in nine parts contrasting the music by guillaume de machaut

presso il passo di cristallina
1993
for 2 recorders
„dem stück ging das reale erlebnis der überraschenden stille kurz vor der passhöhe des passo di cristallina voraus” (hans-jürg meier)
„the piece was preceded by the real experience of surprising silence just before crossing the passo di cristallina“ (hans jürg meier)

diaphanés (durchscheinend)
2015
for three baroque transverse flutes and percussion

music to santo stefano in rotondo in rome, the musical sensation while entering the room and its architectonical athmosphere
 
 


in hans-jürg meiers komponieren gewinnen übersetzungen aus der architektur zunehmend an bedeutung.
zum einen ist in beiden künsten die kraft der vorstellung von grundlegender wichtigkeit, zum anderen hantieren beide mit ganzheitlichen formerfindungen, die sich in der zeit oder/und im raum entfalten.
im bestreben, die sinnlichen qualitäten von den materialien der musik (töne, intervalle, klangbeschaffenheiten) gleichsam greifbar erfahrbar zu machen, verpflichten sich seine kompositionen dem zusammenwirken von natur, form und schönheit.

in hans-jürg meier's music, translations from architecture have become increasingly meaningful.
on the one hand, in both art forms, the power of imagination is of fundamental importance.
on the other, both work with holistic formal inventions that unfold in time or/and in space.
endeavouring to make physically tangible the sensual qualities of the musical material (tones, intervals, texture), his composi- tions are committed to exploring the interaction of nature, form and beauty.




audio excerpt:
►  colours de la rose (excerpt 10:00)
►  presso il passo di cristallina (08:08)
►  diaphanés (durchscheinend) (excerpt 10:00)
 

1 colours de la rose (2001)
trio lepic: vera fischer (flutes), franziska müller (oboes), rico gubler (saxophones)

2 presso il passo di cristallina (1993)
samira el ghatta, andel strube (recorders)

3 diaphanés (durchscheinend) (2015)
sarah giger, nadja camichel, sarah van cornewal (baroque flutes), martin lorenz (percussion)