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      Jürg Frey 
string quartets 
       
      
      
      
      
      
      
      
      
      
      
      
      
        
          
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            EWR
0410 
CD 
            Jürg Frey 
Quatuor Bozzini 
(Nadia Francavilla, violin; Clemens Merkel, violin; 
Stéphanie Bozzini,  viola; Isabelle Bozzini, violoncello) 
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            Material can be anonymous. Consider, for example, the middle voices in
medieval hymn books: unadorned, not artful, a simple handiwork, a
leisurely alternation of single notes. It might be a scale, or, beyond
music, the stones of a wall, not artfully stacked, but simply and
properly, the formal idea being nothing other than that of a wall. 
  
When I was working on the String Quartet (1988), I encountered the
painting of Agnes Martin. I saw clear-cut forms, not overgrown with
rhetoric and figuration. Instead, sensuality, radiance and intensity
gripped the entire space. 
There was a kind of visibility to her art, which I felt corresponded to
the audibility in my music. Audibility: the moment when sound waves
move in space and the air touches the body. The eardrum is the sensory
connection between the outside and the inside world: we hear the sound
and the composition. 
  
Over the years it became more and more clear to me, that there is no
anonymous material - each material has its shape, and as soon as it
exists in space and time, it carries a distinct handwriting. Anonymous
material is rather an idea that brings the work to a point where
concentration on what is essential becomes possible, and allows one to
feel that he is starting from zero. 
  
            Jürg Frey 
            Translation: Michael Pisaro 
             
             
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